About me

Numbers are the free creation of the human mind.

— Richard Dedekind

I am passionate about viewing mathematics, computing, and music as tools to enhance problem-solving, create abstractions, and engage in self-directed learning. Why not consider them as existing in the same space, where they can transform from one point to another through structural analogies (not limited to mathematical ones)? This motivates me to develop libraries to tackle complex problems.

For me, an algorithm is not just a procedure but an object in itself, as musical as it is mathematical. Likewise, a musical score can be composed of abstract systems similar to compilers, and number fields can be understood as extensions of a harmony.

Experience

I have extensive experience in both in-person and online teaching at the undergraduate and graduate levels, specializing in live coding and musicology. Feedback on my teaching practice is mostly favorable, highlighting my ability to communicate complex concepts clearly and accessibly.

Interests

  • Mathematical Music Theory
  • Domain-specific languages (DSLs) for music
  • Computer-assisted music composition and improvisation
Technologies
  • TypeScript, Node.js, Express, SQL, Git

  • Some knowledge of Ruby and Python

  • LaTex, GeoGebra, Zotero, BibTex

  • Sonic Pi, MuseScore, Reaper

Education

UNIR | Master's Degree in Music Research

2019 - 2020 | Spain
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I received the highest distinction with a perfect score in Computational Music Analysis. Overall average: Outstanding • TFM: I applied the theory of simplicial complexes (MaMuTh) to analyze a musical style using specialized software. 💻 HexaChord, Geogebra, LaTex

USMP | B.A. in Music

2009 - 2015 | Lima, Perú
© 2025 Edgar Delgado Vega